Friday, 29 February 2008

A Day Chez Marco Pierre White - The Yew Tree Inn

Marco Pierre White has many "interests" as he calls them. Not businesses, "interests". Not one to divulge what he's up to that much (he hadn't cooked in a professional kitchen for several years before Hell's Kitchen last year) Mr. White isn't one to boast. Looking at the exterior of this sixteenth century pub in Highclere, Berkshire, who'd have thought he was involved with this one?

Oh right, the dirty-great letters on the front of the building. I see.

Now anyone can go and have dinner at The Yew Tree Inn but, as a lovely treat, Mrs. Iconomist booked us in for a night under Marco's roof, staying in one of the smart rooms they have there. On our late afternoon arrival our room wasn't ready which would have been more of an incovenience had they not have had the (fairly) newly installed bar at the back. The first thing that strikes you as you enter the "inn" is that it is far more restaurant than hostelry. Not a bad thing necessarily but there was a sense that it would feel uncomfortable settling in for a pint from the albeit well-stocked bar. No matter as, once we had passed the erroneous Quality Street-filled conch, settle in we did with a local scrumpy and an abundance of broadsheets. Even when he's not there, wherever you are in the building it feels like Marco is watching. Some of this can be attributed to the rather narcissistic collection of caricatures of the chef around the seating area in the bar, all beautifully executed in their own right but as a group slightly haunting.

On up to the rooms (£100 per night) where, after a minor debacle involving room allocation and dining times, we were met with more idiosyncratic décor, the caricatures changing tack, now depicting various politicians, actors, sports stars and socialites. Gazza grinned down from above and I wondered whether he was smiling at that moment. I doubted it. Ted Heath and Ricky Gervais at either end of the bed could have and probably should have given us greater cause for concern but we needed to get ready for dinner. The bathroom was a wetroom with an absolutely cracking shower but the sliding door had a wobbly handle. I could go on, but by golly talking about bathroom fittings is unspeakably dull.

As we descended, the muffled hum of diners' chatter rose up the stairwell which was a good sign. Nobody likes eating in an empty restaurant although with the patron's name literally attached to the place it was hardly likely to be deserted. We sat at the bar with a nice glass of Marlborough Sauvignon and contemplated the meal. Would it be hearty or fancy? Frilly or honest? We soon found out as we were led through to what can only be described as the interrogation table. We weren't quite sure what we had done wrong up to that point. We hadn't even stolen the toilettries in the bathroom. But the spotlight that shone so brightly on our table gave us the impression Marco himself was about to burst through the kitchen doors and question us about the Great Truffle Robbery. As all the other tables bathed in candlelight, we were getting sunburn. As it was a special ocassion we asked to move and, although the Maître D' seemed a little put out, our excellent waiter (hi Nigel!) seamlessly ushered us to probably the best table in the room. It's that one in the foreground. Very cosy.


Finally having sat down we had the opportunity to get to grips with the menu. Seemingly recently shortened, there was no little variety. Mrs. Iconomist chose Omelette Arnold Bennett which was unctuous and creamy and only the sort of thing you'd eat when embarking on a proper dinner, not a twenty minute evening meal. My rillettes de canard was equally naughty. A beautiful layer of duck fat on the top was an extravagant and distinctly unprocessed butter substitute and the shredded bird moist and rich.


The ribeye with snails and garlic butter was well executed, the molluscs melting away in the mouth. But the chips were just OK and not a patch on their triple-cooked third cousins twice removed served at what must be a direct competitior, Heston Blumenthal's Hinds Head. Mrs. Iconomist's Lancashire Hot Pot was good, with a deeply caramelised potato galette on top a stew that could have maybe done with a little more seasoning.

Not having a very sweet tooth I usually peer at the dessert section with more than a little suspicion. Where fruit are concerned I prefer tart to sweet (why put sugar on a strawberry for heaven's sake?) and chocolate leaves me cold. Mrs. Iconomist is exactly the opposite so it was heartening to find options to suit us both. Her Glace Amandine was super, studded as it was with nuggets of caramelly almonds. It was so good it didn't need the hot chocolate sauce that accompanied it and this coming from a chocoholic. The rice pudding with a red fruit compote that was satisfyingly sharp was a smooth amalgam of the creamy and the poignant.

With coffee came gateaux conversation, a frangipane/ puff pastry marriage, or should that be filthy affair? Even after such a satiating meal there was little time for conversation as the sugary puffs were devoured with gusto. With the meal put on the tab, off we waddled upstairs to sleep on our backs. Gervais looked at our stomachs with pity.

Breakfasts associated with a night's stay are invariably underwhelming and, save the decent black pudding and an OK sausage, Marco's was no different. Respectable coffee and a bit of a read of the Sunday papers and we set off for the, unbeknownst to us closed, Highclere Castle. They're a trusting lot at the Yew Tree. As we pulled away it dawned on us that, as we had told the staff we were booked in for lunch and would settle up later, they had no more than a mobile number so it was quite possible we could have driven off home without paying for anything. Fairly nearby Hungerford was entertaining and a suitably named town in which to rediscover much needed appetite.

Another pint of scrumpy and a sit down was in order on our return, the staff visibly relieved we hadn't made a run for it. Then back through to the restaurant where, although we entertained the customary menu perusal, there was really only one dish that was going to hit the mark. And this is really where an establishment such as this stands out from your average spit and sawdust, swirly carpet pub. The roast beef was, get this, pink. The Yorkshire pudding was big and puffy and the gravy was a simple case of the rich meat juices. The roast potatoes were good but not transcendent as some can be and the perefectly drinkable house, whisper it, Merlot was a suitable foil for the whole lot.

Our usual adventurous natures deserted us for dessert as we played it safe and had the same as the previous night. Rice pudding still creamy, the ice-cream still not needing the chocolate sauce. Another couple of conversation cakes (well, one liberated for later) and we started picking our way through the bill for three meals and a room with only a minor, innocent miscalculation. As we bade farewell I still couldn't fathom how the conch filled with Quality Streets fitted with the image but considering Marco's unpredictability, I suppose I shouldn't have been surprised.


Marco Pierre White's Yew Tree Inn
Hollington Cross
Andover Road
Highclere
Berkshire
RG20 9SE
T: 01635 253360
E: info@theyewtree.net

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Hussein Chalayan and Puma - A Match Made in Technology

© Christopher Moore Ltd.

Although easy to say after the event, The Iconomist knew all about this huge development before the release yesterday. Alas, sworn to secrecy, the news that Hussein Chalayan is to be Puma's Creative Director finally makes it's way here. Let's get it all out in the open- this is one hell of a coup for Puma. This isn't simply the usual designer footwear collaborations Puma have successfully undertaken in the past with Alexander McQueen et al. Chalayan will have a hand in designing the whole darn lot.


Jochen Zeitz, Chairman and CEO Puma and Hussein Chalayan

Having met Hussein, knowing his shows' stylist very well (oooh, get me!) and having kept a close eye on his progress it could be said The Iconomist is in a good position to assess this development. At first glance the two could not seem more opposed- the sportwear giant and the conceptual artist. But this is a case when opposites most certainly attract. Puma have a rich history in sportlifestyle, with a sharp eye for such a large company. And there is definite scope for Chalayan to push the brand in an exciting direction. After all, he loves his technology and sport and sportswear could not exist without it. As part of the deal Puma have acquired a majority stake in Chalayan's own brand which will allow him to realise even his most incredible dreams. As you can see from the video, Chalayan's collections can be awe-inspiring, none more so than the Spring/ Summer 2007 show the climax of which was met with weeping and unimaginable displays of emotion.



Come Autumn 2009 we can expect to see some pretty special things from Puma, something far more impressive than a pair of Kings in a new colour. Although a tracksuit that disappears into a baseball cap might be pushing it.

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Thursday, 14 February 2008

Vanity Fair - Portraits

© Condé Nast Publications Inc.

Ask anyone working in magazines who knows their onions what their favourite magazine is and you will usually get one of two answers: World of Interiors or Vanity Fair. As World of Interiors doesn't tend to photograph people and Vanity Fair is 95 years old, the National Portrait Gallery have taken the world's finest celebrity magazine's extensive history and iconic imagery and turned them into a cracking exhibition.

© Jonas Karlsson

Think of any truly great photographer from the twentieth century and they will have shot for Vanity Fair. Helmut Newton, Man Ray, Herb Ritts, Cecil Beaton, the list goes on. It just so happens they're taking photos of some pretty famous people too. Claude Monet, Madonna, Greta Garbo and Charlie Chaplin have all graced the pages of the glamorous publication. It's a bit of an iconorama down at the NPG at the moment.

© Condé Nast Publications Inc.

This is just a small selection of of the breadth of the work on show. The exhibition has got something for everyone, from the photography student to the celeb addict, and with the expertise and track record of the NPG behind it, it is sure to become a fans' favourite.

© Mark Seliger

Vanity Fair - Portraits runs until 26 May at the National Portrait Gallery.

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Friday, 8 February 2008

Deutsche Börse Photography Prize 2008

In 1996 The Photographer's Gallery on Great Newport Street in London set up their Photography Prize to award the international photographer who is judged to have made the greatest contribution to photography over the previous year. Previous winners include Andreas Gursky, Luc Delahaye and Juergen Teller so this is a seriously big deal. The award winner will be announced in March after which the exhibition moves on to C/O Berlin finishing at the Deutsche Börse HQ. Four photographers are shortlisted but only one can win the £30,000 prize put forward by Deutsche Börse. Let's meet the contenders...

Esko Männikkö, the Finnish photographer, has been nominated for his broad retrospective Cocktails 1990-2007 which deals with the concept of isolation with a warmth, humour and integrity rarely seen in other work tackling the subject, particularly photography. Each piece is encased in a unique 'found' wood frame, emphasising the naturalism in his work.

The American photographer Fazal Sheikh, nominated for his Steidl-published book Ladli, is an artist-activist who draws attention to social inequalities and prejudices. Ladli examines the low opinion the Indian culture has of females, with many young girls either being neglected or abused. Sheikh gives identity to what is a forgotten social stratum, conveying their pain through his powerful black-and-white portraits.

In 1979 British born John Davies undertook a project to document the post-industrial landscape of Britain. Over twenty-five years later the project is still ongoing, with the development and transformation of "our green and pleasant land" still intriguing and inspiring Davies. The relationship between the monumnetal and the banal has never been so attractive.

Finally, Jacob Holdt. Setting off to traverse America with only $40 and a $30 Canon Dial camera in his pocket, the Danish photographer undertook what would prove to be one hell of a story. From schmoozing with some of the richest in the US to observing the abject poverty many minorities in the early 1970s were forced to endure, Holdt captured the essence of what it was like to be an American at the time whilst reflecting the social and cultural inequalities that blighted the country.

The prize is one of the most prestigious in photography and with £30,000 at stake, the competition is going to be fierce. Pick your own winner from today.


The Deutsche Börse Photography Prize runs from 8th February until 6th April at The Photographers Gallery and is free.

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Thursday, 7 February 2008

The Bully You Can Love- Bottega Veneta's Essential Shoe

Were it possible to boil down fashion for Spring/ Summer 2008, the little jammy reduction at the bottom of the pan would look remarkably like these shoes from Bottega Veneta. A fun reflection of the relaxed formality Tomas Maier created for Spring, these woven wonders are a clever amalgam of golfing, orthopedic and sun-bleached preppy influences. They come in the three Miami pastels above (the grey and the blue are the colourways to go for) and are beautifully made (well it is Bottega) in super-soft calfskin. Peculiarly they're called "Bully", although they're certainly no thug, and are available to pre-order in the US now. Lucky devils.

Oh, and please don't wear them to actually play golf. They're far more Palm Beach than sand-trap...

"Bully" shoes by Bottega Veneta retail at $640 and are available here.

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Friday, 1 February 2008

Art Now- Strange Solution

Tomorrow sees the Tate Britain unveil their latest Art Now exhibition concentrating on current developments in contemporary British art. This installment addresses art that is made from found things, the simple re-juxtaposition of the items creating a new image and relationship with the viewer. Three of the featured artists stand out, but for very different reasons.

Katy Moran's luscious, rich, thick brushstrokes are very sensual, reminiscent of 18th century French painting but painted on found boards and cards. Although obviously abstract in style, her paintings have an odd portraiture or still-life composition which adds an element of mystery to her art.

Sugar Loves You © Katy Moran

Anthea Hamilton's scuptures are more obviously derived from found objects. Adding an element of humour to her "collection of meditations about love", as she calls her work, fun evocations of banal sexual attraction occupy large gallery spaces, with the viewer being able to interact with the life-sized, albeit lifeless, protagonists.

Busch Woman © Anthea Hamilton

Alice Channer's approach to her objets trouvés actively encourages viewer interaction, with some of her work having a distinct mystery through the creation of anticipation. Working in a clearly graphic manner, collectively her work can seem disparate, only related in their ambiguity and simplicity. Oh, and beauty too.

Thirteenth and Twelfth Scarf Drawing, detail © Alice Channer

All of the work exhibited is...intriguing. Make your own mind up tomorrow.

Art Now- Strange Solution runs from 2nd February to 13th April 2008 at Tate Britain and is free.

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